Editorial
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Testing the Margins
Despite working closely with shaper/mentor Al Merrick for dec-ades, Tom Curren has frequently strayed toward unconventional designs, often in pumping…
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Relentless Industry
Paul Naudé seems remarkably relaxed. We’re sitting on his outdoor patio, overlooking the Pacific Ocean at his home in Laguna…
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The Strange Art Of Composure
As soon as I sold my 5’10” Patterson to purchase a 9’6″ Weber Stylist, I became familiar with Chris Klopf’s…
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Soundings: The Two-Board Quiver
The last decade has seen surfboard manufacturing develop in opposing directions. Bob McTavish’s dream of a standardized, mass-produced surfboard has…
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Nu Rythmo
Before there was music, there was rhythm—the persistent beat that allows individuals to move together as one. Rhythm, in music,…
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The Lucky Eyes
A significant photograph is a convergence of opportunity and framing. It is a coincidence of eye and heart in a…
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The Future’s Unridden
Hayden Cox is sitting on the expansive wooden deck of his triple-level Sydney home, discussing everything from the flex pattern…
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All Bona Fides in Order
On the second to last day of the Australian winter, photographer Steve Baccon finds himself head down and elbows high,…
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Happy Face
There’s a common misconception about surf photography which posits that the longer you’ve been in the game, the more likely…
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Unity With Our Fellow Creatures
Spontaneous order and social dynamic theories in a crowded lineup.
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Regrets Only: Dirty West
Bad decisions and alphanumeric survival tactics at Cloudbreak.
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Guillermo Cervera’s Dangerous Periphery
Heavy reefs, Russian ballerinas, and the incongruous crossovers between surf and combat photography.