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Poverty Vow
Nathan Lawrence has been treading the poverty line for more than a decade to capture the shots contained in this portfolio. From river waves and wave pools to perfection in West Oz and Indo, struggling to make ends meet never looked so enticing.
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Back at the Beach
Allan Weisbecker pays a visit to the New York City studio of surfer – artist Victor Kerpel. After navigating chaotic NYC streets, Weisbecker finds serenity in Kerpel's world-class paintings.
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Between Strokes
A look at the work of Brooklyn-based contemporary painter Jules de Balincourt, earning his fine art bones with salt-caked neo-folk and a boatload of reference points.
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El Rancho de Chicho
When John Severson's photo of Kemp Aeberg's famous arched-back turn ran in the second issue of The Surfer it became to surfers, what "Marlon Brando on a Harley" was to the rest of the World. Aeberg talks with Russ Spencer and Jeff Divine about his surf odyssey from age 16 to 34, with some intense triathlon training and competition thrown in the mix.
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Lightshow: Portfolio Dennis Junor
Photo Essay of California featuring some of the most memorable swells on record. Beautiful land and seascape pictorial up and down the West Coast.
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Curtain Call
A mess of water, foam, fiberglass, and a human head, this Woody Woodworth photo from "Big Thursday" (September 10, 1975) at The Wedge in Newport Beach, Ca, almost audibly translates the power of the massive wave.
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The Surfer’s Journal
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