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The Last Picture Show
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When the Smoke Cleared
Manning the editorial post at Surfer Magazine with John Severson during the sixties, Drew Kampion laid witness to the swift changing of the guards that occurred in 1969 with the refinement of shortboard shaping and riding methods. This compilation of anecdotal vignettes illustrates the culture of that seminal year in surf culture.
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Shitty But Good
Flippy Hoffman was part surfer, part pirate, part business-hawk, and all character. Along with his younger brother, Walter, his Hawaiian big-wave water time in the late 1940s and early 50s was just the tip of the iceberg in a life well lived. A recounting of his Channel Island diving escapades, Parisian textile-and-gem-hunting sorties, and high seas swashbuckling, told by those who knew him best.
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A Hippie in our Midst
Guided by communal beginnings and bodily sensation, Alrik Yuill sculpts surfboards and shapes sculptures.
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Ricky Massie
A brief profile piece about Rickie Massie from Barrio Venice. Focused on the obstacles he has faced from the surrounding gang lifestyle both on the street and in the water, his efforts to prove a barrio kid can make it, the unique encouragement from those around him, and his goal of ultimately making it into the Top 44 by 1999.
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Twice Removed
Rizal Tanjung leads a crew of Balinese up-and-coming surfers on a boat trip to the Mentawais, where he instructs the next generation on how to survive in the world of professional surfing. An inland trip turns out to be highly educational and rewarding when the crew donates surfboards to some local kids.
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The Surfer’s Journal
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