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Informed by the work of journeymen and pioneers, Josh Martin’s workshop is part skunkworks, part cabinet of curiosities.
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Laguna Beach sound and vision in Five Summer Stories.

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Ready to go on a moment's notice, the crew had been waiting all winter for the right swell conditions. The place: Tuamotu, an atoll located in the Society Islands, which offers fast-breaking left breaks on NW swells. Raimana Van Bastolear along with Michel Bourez, Alain Riou, Hans Hagen, and a few friends and photographers rip the three-day swell.

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Steve Barilotti provides a biography of iconic surf artist Rick Griffin. This piece follows Rick from his days as a high school student contributing the Murphy comics to Surfer Magazine, to his eventual conversion to Christianity and illustrating the book of John. The path he took was anything but ordinary. He started the mid sixties in art school in Los Angeles, but ended up right in the middle of the psychedelic experiments at the height of the hippie movement in San Francisco. While there he created groundbreaking psychedelic poster art and album covers for the Grateful Dead, Jimi Hendrix, and many others. He was also a part of the influential Zap Comix founded by R. Crumb. After an apocalypse scare lead him to New York in the late sixties he came back to Southern California and worked with John Severson and Surfer Magazine again, creating the tremendous artwork for Severson’s film Pacific Vibrations.

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"The surf journalism, professional surfing and surfwear mogulling that Michael Peterson has done successfully over his stylish career are explored in this article that traces the roots of Michael Peterson's creation and management of Gotcha and More Core Division. There's also a discussion of the glories of his Backside Attack, for the Pipeline history buffs amongst you."
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The Surfer’s Journal
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