Episode 0
Tales From Punanjar
The other Indonesia
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Ep. 0
Not Standing Up, But Not Lying Down
Kim Feast finds equilibrium behind the lens in the untamed environment of Western Australia.
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Future Man
Jim Evans is best known to surfers for his Cadillac Wheels illustrations and work with Rick Griffin. Yet his designs, produced in his Malibu studio, have cast their influence from the Beastie Boys to Public Enemy, <em style="font-family: 'Times New Roman'; font-size: medium;">The Big Lebowski</em> to <em style="font-family: 'Times New Roman'; font-size: medium;">Fear and Loathing</em>. In profile, writer Joe Donnelly contextualizes the cultural significance of the Evans’ work.
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Ep. 35
Keala Kennelly
On the wave that made her, fighting for female representation, the Irons brothers, being invited to the Eddie, the dichotomy between freedom and conservatism, and the surf industry’s failures.
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Ep. 0
You Crazy Diamonds
The line between rock star and surf star was significantly thinner in the 1960s and 70s, made even more so by common positioning in underground culture, subversive lifestyling, and psychedelia. For George Greenough and Pink Floyd, these crossover pools of interest ultimately ended in a creative collaboration, a film known as Echoes. Here’s the backstory of how Greenough’s disembodied portraits from deep inside the tube came to be paired with the band’s instrumentals.
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