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One of the leaders of the 1950s WindanSea pack, “Pal” Al Nelson’s been around. From south of the border runs with Pat Curren to innovations in aeronautics, for all its intrigue and historical relevance, Nelson’s story has never been told, that is until he sat down with Pez and unloaded.

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Bolton Colburn discusses the influences behind Lynn Coleman's surf-inspired artwork.

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Damien Poullenot is a French photographer from the forested hamlet of Hossegor on the Cote d’Argent. With compatriot Laurent Masurel, Damien runs a thriving photo agency centered on surfing. Splitting the difference between art and sport, he is a subtle manipulator of nuanced light and eye-tricking composition. His work is uncanny, with an appeal that speaks to purist considerations like craft, emotional vibration, and allusion. In this, his first portfolio in the U.S. surfing press, he graces 18 pages with his broad take on sliding culture.

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Scavenging with Will Adler.

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In influence and accomplishment both a Mack and a G, MacG was long overdue for a TSJ visit. Along with gone-but-not-forgotten partner Jim Freeman, the surf filmmaker—now best known as the Spielberg of Imax®—racked up a life list of itles revered by insider critics and sweaty peasants alike: A Cool Wave of Color. The Performers. The Sunshine Sea. Free and Easy. Five Summer Stories.
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The Surfer’s Journal
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