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Jay Nelson is a serious surfer and fine artist. He is featured in multiple publications and galleries around the world. Originally from Southern California, the Bay Area, and now residing in Brooklyn, NY, Jay's projects include livable tree houses, camper shells, and George Greenough-inspired boat shells. He believes "high art can be your ride to the beach."

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On his Pipeline love affair, minimalism, finding stillness, the shortboard revolution, yoga, and his relationship to fame.

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Watercolorist Ron Croci has been around the block. As an artist, he’s a hell of a storyteller. His decades of scene watching, creedler monitoring, and dialogue harvesting have found him imbedded squat in the middle of various locals-only situations, where justice is meted via the back of a hand. Now, his tales and paintings scan anachronistic. Where meritocracy, respect, and hierarchies once defined the line-up, the modern free-for-all of adult noobs, mass marketing, and litigation have rendered the surf world as safe as milk. While he’s clearly no fan of thuggery, you can’t help but read between the lines, feeling almost nostalgic for the days when a line-up violation could land you a sock in the jaw.

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The pursuit of fame and fortune through surfing means is heavily discussed and (constructively) criticized in this sequence of interviews with Australian soul surfer Wayne Lynch. Jamie Brisick and Steve Pezman question the innovative tube rider on his thoughts regarding competitive surfing, Aboriginal cultures, shaping design, and much more.

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A very pre-Al Gore discussion on being a "Green" surfer, brought to us by Brian Gillogly, exposes the inconvenient truth behind the chemicals used by the surf industry in surfboard and clothing manufacturing, and what we can do on the individual level to minimize our environmental impact.
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