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Portfolio: Peter Cole's Zen-like words mirror his photographic enlightenment.


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<em>Monster From the Surf</em> puts a bizarre time stamp on the early 1960s surf boom.

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A collection of Steve Sherman's candid photos from 1995-2001 from shooting pros such as Kelly Slater, Sunny Garcia, Jason "Ratboy" Collins, Pat O'Connell, Taj Burrow, Lisa Anderson and many more for editorial, advertising and behind the scenes on the ASP tour. Michael "Scooter" Leonards writes the biography of Sherman, starting with his first surf photos at Solana Beach at 13-years-old. Sherman translates an influence of Pennie Smith's style of black-and-white, behind-the-scenes photos in "The Clash: Before and After" into skate and surf lifestyle, creating a unique point of view.

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Steve Barilotti provides a biography of iconic surf artist Rick Griffin. This piece follows Rick from his days as a high school student contributing the Murphy comics to Surfer Magazine, to his eventual conversion to Christianity and illustrating the book of John. The path he took was anything but ordinary. He started the mid sixties in art school in Los Angeles, but ended up right in the middle of the psychedelic experiments at the height of the hippie movement in San Francisco. While there he created groundbreaking psychedelic poster art and album covers for the Grateful Dead, Jimi Hendrix, and many others. He was also a part of the influential Zap Comix founded by R. Crumb. After an apocalypse scare lead him to New York in the late sixties he came back to Southern California and worked with John Severson and Surfer Magazine again, creating the tremendous artwork for Severson’s film Pacific Vibrations.

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One wave, one rider, six pages. Yes, Raimana Van Bastolaer’s Teahupoo spit-buster is worthy.
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The Surfer’s Journal
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